Tuesday, March 8, 2011

7. The Abridged "Ketjak"

Dennis (Xiao) Zhan
Exercise #7
                                               
Memories tend to be remains, not of past sensations but past VERBALIZATIONS.
                                                                                   
Contempt we felt as children for any other who was forced to have his/her mother present, just to cross the street.

Animal crackers. Anything I do, anything I say. Leaves of lettuce, formless, left in a bowl of salad oil.

Look mama, no overt parade of greens.

On bikes and in pick-ups, cruising my mother’s streets at night, looking for ghosts.

Always across the bay there was Oakland.

We stood on sat on the deck, breaking oranges into  s  l  i  c  e, watching the prison ship cross the bay.

A tramp seaman pulls into view. 400 soft focus photos of seaweed.

Variety of helicopters fills the skies.

The sky reduced to corridors.

There are bees hovering over the clouds.

The bandage is too tight.

My childhood passed in the contemplation of Ichabad Crane.

Swarms of carpenters within the burnt out house.

Yellow beach, pink sky, pink beach, tallow sky.

Would play a piano on the beach.

Older music, the net, the fog, two alphabets.

Mouthful of crab meat.

People are starving. Anchovy.

Old Town, sobered by the evident despair.

Political because it must be, but at what level?

Cohn’s loans. The heir is nostril or ear.

Gradually debts increase. Transfer points.

Saxophone mocks a goose.

I stare at the paper, awaiting instructions.

The fly pauses to watch me write.

I hate collage.

Endless possibilities, drifting from Campus to Campus, hanging out.

The eyes forced to Focus. The main Library was a grey weight in a white rain.

The library from out of space has no fourth floor, thereby contributing further.

Time to move. Meanwhile I confront you. The gallery was a labyrinth of white rooms with skylight.

The ice cream truck and the roost­­­­­­er, the many cats, the young man in the next yard who speaks no English and is dying of cancer.

Chorus of the Garbage collectors beneath the bedroom window.

Who do you do. The beautiful dump truck.

Stream pours from alley sewers, corridor of five escapes, loading docks, dumpsters.

Waking in the dark now, more so each day, the year’s slide.

The last hope was to wed the daughter of the landlord.

Earliest imaginings of the married life.

A white bow of split pea soup is sat upon the table. Thursday noon. It’s cold.

An old lawn caught in the weeds.

Fleas.

Postcard to ex-wife.

Riding Buses on the weekend. At home amid engineers, on a patio with children and gin and tonic.

We held Sparklers on the porch or along the back yard.

This indulgence.

Never fear, chandelier.

Let’s read the Sunday Times instead at the café, sipping Cappuccino.

The playground north of the coffee plant roils with soccer, tires, sunbathes.

On              why             this            is           a            poem.

If words were bells. Copyright is theft.

Here the computer starts to sing.

One’s age is best seen in the back of one’s hand. What I want is the gray-blue grain of western summer.

Dressed only in hiking boots and Kilt. Clogging a huge brick backpack, head shoved.

Lone runner                          along canyon path.

A 50 years old    j     i     g    s    a    w   remains incomplete.

6. Lost and Found in Translation


Dennis (Xiao) Zhan
Exercise #6

那么,什么是所有这些问题,我们使用很少的符号
ისე კი, რა არის ამ პატარა სიმბოლოზე ჩვენ გამოვიყენოთ?
Svo þá eru það allar þessar litlu tákn sem við notum?
さて、何が私たちが使用するすべてのこれらの小さなシンボルですか
So then, what are all these little symbols we use?

这是什么意
რას ნიშნავს ეს?
Hvað þýða þau?
彼らは何を意味するのですか
What do they mean?

什么声音
რა მათ ხმა მოგწონთ?
Hvað gera hljóð þeir eins?
彼らはどのようなものに聞こえるのですか
What do they sound like?

们为什么使用它
რატომ ვიყენებთ მათ?
Hvers vegna notum við þá?
なぜ我々はそれらを使用するのですか
Why do we use them?

倾诉便宜        这样难                       哪里疼
არის ძალიან იაფად?  იყო თუ არა ასე ძნელია?                         სადაც ჯერ ეს დააზარა?
Er talað ódýr?                                   Var það svo erfitt?                                          Hvar kemur það sárt?
話は格安ですか           それはそんなに難しいか   どこが痛いのですか
Is talk cheap?                        Was it so difficult?               Where does it hurt?

为什么大象穿粉色网球鞋
რატომ სპილოები აცვიათ pink ტენისის ფეხსაცმელი?
Hví fílar klæðast bleikum tennis skór?
なぜ、ゾウはピンクのテニスシューズを着用するのですか
Why do elephants wear pink tennis shoes?

       哪里疼Hvaða bátur er þessi, missti í rigningunni í skefjum? Does this change who we are? どこが痛いのですかრა არის bunch ბალახი? Hvað ef ég flutti til New York? Á hvaða hátt mun þetta breyta húsinu?
私はニューヨークに何を移動した場合?の方法は、この家に変更されますか
Is it true that only secret lives are real? 你喜人造光
            Ert þú kýst tilbúnu ljósi? どうすればあなたは友人や恋人に男性を分ける
How can you tell if art is anything more than the games of fuck-ups? 当是你最后一次这样的感受თქვენი ხელები სისხლდენა? Where does the creek lead? されていることを半年で二度目の中絶Hvar vilt atburðir úr böndunum? Is this what you expected? 什么麻რა არის იმიჯი უბედურება? Can you smell the rain? 那是冰淇淋
            そのアイスクリームはありますかWhat does that mean? გახსენით მე Scratch ჩემი თვალების ჩემს ძილის? なぜですかHow do we get out of here? 那些是蚂蚁あなたは汗ですかარის თუ არა სიბნელის? Did sírenur vekja þig? 你走出房子როცა შენ ხარ მე? Is it fiction? それは摩擦ですかGætirðu sofa á hreinum? その笑顔が緊張を意味するか What key?









"So then, what are all these little symbols we use? What do they mean? What do they sound like? Why do we use them? Is talk cheap? Was it so difficult? Why do elephants wear pink tennis shoes? Where does it hurt? What are the names of the churches? What is bunch grass? What if I moved to New York? In what ways will this change the house? Which boat is that, lost in the rain on the bay? Does this change who we are? How did I make the decision? Is it true that only secret lives are real? Do you prefer artificial light? Will winter provoke indoor behavior? How can you divide men into friends and lovers? How can you tell if art is anything more than the games of fuck-ups? When was the last time you felt like that? Are your hands bleeding? Where does the creek lead? Is that her second abortion in six months? Where would events get out of control? Is this what you expected? What Is trouble? What is the image of trouble? Can you smell the rain? Why is the window made out of blue grass? Is that ice cream? What does that mean? Did I scratch my eye in my sleep? Why? How do we get out of here? Are those ants? Are you sweating? Is it dark? Did the sirens wake you? Did you emerge from the house? When is you I? Is it fiction? Is it friction? Could you sleep on a net? Does that smile signify tension? What key?"







5. Editing

Dennis(Xiao)Zhan
Exercise #5

            Being a newspaper editor is like being a referee: do a good job and no one notices but send a man off accidentally or announce prematurely the death of capitalism or Michael Heseltine and you can expect a call from Sepp Blatter or Rupert Murdoch. Or both. So watch it.
            Without a good editor, journalists would run wild, penning pieces about their favourite things (pubs, breasts, pubs) instead of focusing on what's important (Iraq, Labour, Lohan).
Does this feel like a career or is it a "leap and the net will appear" situation?
This is a career absolutely. I’m not looking for a net to appear. I’m leaping to grab the next trapeze and soar. Maybe I’m working without a net, but doesn’t that describe newspaper journalists today as well?
What's the future for newspapers -- will they always be around?
They'll be around for a long time. I think, though, that eventually they'll be quite different. For instance, I envision newspapers with smaller news holes. More people will rely on the Internet to get stocks, sports statistics, national news, etc.., so newspapers will be able to streamline their coverage in these areas; many papers already are doing this. Superior local and regional content will continue to take on more importance and dominate news space.
What's it like being a Deputy Editor?
It involves managing people. If you've been a hack all your life, tending to work independently - getting your story, writing it and handing it over - it's a change. At Deputy Editor level, you look at how the team is structured, Human Resources, restructuring, production schedules, resources and budgets. The less glamorous side! But as I said, I'm enjoying being able to put my stamp on the product. I'm very enthusiastic about the direction in which we're going here and I'd like to be the Editor in the future.
Do you like your job? What do you like best? Least?
Most days, I like my job a lot. Some days, though, I wish I were a marine biologist or maybe a carpenter. The best part of my job is when my reporters produce a story that makes a difference in the community. For example, when we find out about something that is wrong, and it gets fixed because we pointed it out, that is very satisfying. The thing I like least about my job is telling people "No." People call and think they have the best story in the world, but then I realize it's a real boring deal that even the best writer in the world couldn't make interesting. I have to tell those people that we won't be writing about them. Sometimes they get mad. Sometimes they yell. Oh well, part of the job.
 Is there special training or education involved in your job?
Yes, but most of it is learned on the job. The best way to prepare for a newspaper career is to study as many different subjects as possible, because you never know what you may be writing about the next day ro next month or next year. I went to college to get a degree in English, and along the way I took a lot of courses in history and Spanish and political science. I wish I had taken some classes in business and economics. But, you can prepare for journalism in a very simple way: Read a lot.
What is the process (are there specific steps) involved in editing?
The best way to edit a story is to read it through once to get a sense of it, before you start changing anything. After you have a feel for it, read it again to look for things that are missing, and ask yourself these questions: Are there gaps in what you are telling the reader? Does the story make sense? Are the important ideas at the beginning of the story? Is it fair, accurate and balanced? Have the reporter fill in anything that's missing. When you are satisfied, read the story again, this time looking for grammar and spelling problems. (Whoops, that should be problems. Good thing I edited this.) After you have made those fixes, read it over one last time just to see if you missed anything. Use the computer spell checker, and you're finished.
Did you always want to be a newspaper editor? How long have you been an editor?
I knew I always wanted to be a writer, or involved in writing in some way. I was an editor on high school and college newspapers. After college, I was a reporter for 10 years, and then decided to make a switch into editing. I have been an editor for about 15 years. I know what you're going to say -- I really don't look old enough to have spent all those hard years working for newspapers. Come on, that's what you were going to say, right?
However, and I really do hate being politically correct, it honestly does not fit the editorial mix of our newspapers
You get the final say on what goes in the newspaper....
You get a free paper...

4. A Day in the Life of Me? You? Who?

Dennis(Xiao)Zhan
Exercise #4



Clouds blot light of the sky.

It's only five.

If the pen won’t work. Words won’t form. The meanings are not manifested.

1.) Words do work 2.) Words do work

I know what I want by all that I read or have written.

Poem in a notebook, manuscript, book, reprinted in an anthology. Scripts and contexts differ.

How can I show that the intentions of this work and poetry are identical?

How could it be the same poem?

The fly hums in the otherwise still room. Light filters through the gauze curtains. Spirals of dust.

Dust accumulates wherever I live.

If there are enemies of writing (and there are)

What an elaborate fiction that seems!

A world of routines, of returns to small forms, insistently.

Talking heads of Television.

The rocker in motion, makes no noise.

Counting your fingers one by one by one.

If this were Theory, not practice, would I know it?

Write like what you have not previously seen.

But to write in such circumstance is to return to a prior condition




The page intended to score speech.

Oh, how I dread those numbers.

Those arrangement of ink splattered on the page.

Which determines fates and futures

How silly it must all seem.

What is a score really?

Something flows into my head.

Uncertainty? Anxiety? Fear?

What to do? What to do? What to do? What to do? What to do? What to do? What to do?

What to do? What to do? What to do? What to do? What to do? What to do? What to do?

What to do? What to do? What to do? What to do? What to do? What to do? What to do?

I know...

Playing chess I ought to have, for now, one good offense, and a good defense

Writing is like a game, with its strategies and intricacies.

There are pieces to be moved, arranged in the most advantageous ways.

To drive reader's thoughts and shatter their expectation.

A battle plan.

A mobilization.

An offensive.

Of words.

Shake before using before every meal

Lunchtime, Television, Relax.

            I love the early morning light, even shaded I filtered as it is by the curtain.  It “informs” this room in the same wholly pleasant fashion. Soft tones, indistinct shadows. Sounds now of Elliot rising. A rough, a blown nose. Traffic, mostly from Sacramento street, Tho it is much heavier one block over on California, is an aural constant. Especially the heavy hum of the #55 buses, Their air brakes, etc. Rae & Chuck, who live over on California, 13 on 14 short blocks east, where Pacific Heights borders JapanTown & THe Fillmore, have it much worse. And they also have a fine company on their block.
            In terms of tension, I seem to be living at the edge of a personal limit. 5 months ago nobody in this prison movement outside of CPHJ knew who I was & now I seem to be the dumping ground of all problems.
I wonder of my relation these days to Barbara and/or to Camille. What I could use this morning, beyond of course, another cup of coffee, is a stable sense of self. My writing, my “work”, my personal life seems teared & dislocated. No clear vision. No relaxation. And yet I have a good night's sleep.
            The saddening ease into familiarity, The drive up to the capitol, Able now to “see” 714 P Street, home of the Department of Correction & The Adult Authority. As I come, via Greyhound, over the river. Ditta UC Davis, on CM7 at Vacaville. A clear summer valley day, 8:15AM. 5:05 Sacto. It appears that we, CCPO-coordinating council of Prison organization—are fighting a winning battle!! Clarence Williams was willing as was Foran, to structure Wednesday to out suiting, however that may be!